You choose both ends.
The model shoots the middle.
Upload the frame the shot opens on and the frame it lands on, describe the move, and get one seamless generated shot that connects them — with your composition guaranteed at both ends, because you supplied it.
One continuous move from your first frame to your last.
Two stills become one move
The most controllable shot in generative video, because you author its first and last frame.
Pick the two frames
The shot you want to open on and the shot you want to land on — product closed and product open, empty room and dressed set, logo apart and logo assembled.
Describe the journey
A sentence about how one becomes the other: the camera move, the speed, the mood. The model generates the motion that connects your two stills.
Edit it on the canvas
The result arrives as a scene node in the studio, so you can re-prompt it, trim it, or slot it between a presenter hook and a motion-graphics close.
The cuts this replaces
Before and after, without the jump cut
Packaging closed to packaging open, ingredient to finished dish, sketch to shipped product — the transformation shot that normally needs a rig, a motion-control pass or an expensive 3D artist.
Connect two shots you already have
Take the last frame of one scene and the first frame of the next, and generate the camera move between them — a bespoke transition instead of a crossfade, built from your own footage's endpoints.
Control is the feature
Guaranteed endpoints
The shot must begin and end on your images. The model cannot drift the product or reframe the scene at either boundary.
A node, not an orphan
The result lands on the studio canvas as an editable scene, so it composes into a full ad with presenters, motion graphics and narration.
Priced like any scene
One scene-rate render in credits, shown before you commit, refunded automatically if the generation fails.
The things people ask first
You control both endpoints. A text-to-video prompt gives the model the whole shot to invent; here it must start exactly on your first image and land exactly on your last, so the product, framing and composition you chose are guaranteed at both ends.
Two frames that share a subject and a plausible camera relationship — the same product from nearby angles, the same scene in two states. The wilder the gap, the more creative licence the interpolation takes in between.
It renders as a single scene — a few seconds of motion, like any generated shot. It is billed in credits at the scene rate shown before you render, and a failed render refunds automatically.
Pick two frames and watch them connect
First-frame to last-frame generation, editable on the studio canvas. Free to start.
Start free